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Furniture Finishing & Restoration
Finishing Cherry
"Lacquer & Shellac - Page 3"
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Of the film forming finishes, Lacquer and shellac have excellent optical clarity and are the top choices when you want the best "lens" on the
wood. Lacquer naturally has a very light amber color, blonde shellac has
a little more coloring, and other grades of shellac have even more natural
color. At the very top of this sample, there is a couple coats of lacquer
alone. In the middle section, there's a coat of garnet shellac before the
lacquer was applied, and on the lower section, there's two coats of garnet
shellac under the lacquer. This type of garnet shellac has a pretty
strong yellow tone to it, though other types of garnet are more reddish
brown.
Using a finish with color in it, whether it's one of the grades of
shellac with natural coloring, or a finish with some dye in it, gives
the wood a greater appearance of depth. The colored "lens" over the
wood is the reason for the improved look of depth.
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This cherry sample has a lacquer only finish but looks a little
"blotchy" from some angles. On some cherry boards, even a non-penetrating
film forming finish like lacquer or shellac has the look sometimes.
After planing cherry, you can see the areas of the wood that look darker
than the surrounding wood. These are the areas that will look blotchy or
mottled once the finish is applied.
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Curly cherry has repetitive bands, stripes, and spots of wavy grain that
show up looking darker than the surrounding grain. Because the darker
areas are repetitive, they look a lot more natural than the random spots
that's common in a lot of "straight" grained cherry. So no matter what
you put on it, curly cherry has a "blotchy" appearance due to the grain
direction changes in the wood.
While lacquer and shellac keep blotching to a minumum, the resulting look
on curly cherry isn't all that "lively." Instead, it's more a muted look
than some of the alternatives; not quite the striking impact the wood is
capable of producing.
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Here's the same sample with angled lighting to bring out the depth and
shimmer in the wood. In person, it looks better than the picture as most
of these samples do; photography is a lot more limited than the human eye.
With the angled lighting, the lacquer alone looks pretty nice. But when
you put a lacquer only sample next to one that designed to really "pop"
the figure, the lacquer sample looks boring in comparison! In the next
section, there's a sample that uses drying oil on the bare wood before the
clear coat finish is applied and you can see a big difference. Later on,
there's some samples with other ways to get that figure to "POP!"
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NEXT: Oils & Oil Finishes
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© Copyright 2001-2005. Paul Snyder. All rights reserved.
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